劉別謙初嚐美高梅大製作的派頭一切筆法更神采飛揚開敞的場景、空前的排場讓人物裏裏外外恣意張開：寡婦的心更顯孤獨男女的愛更加沒處安放坐擁小國大部分財富的寡婦忽然要搬到巴黎重新尋找生活色彩國王唯恐劉別謙初嚐美高梅大製作的派頭一切筆法更神采飛揚開敞的場景、空前的排場讓人物裏裏外外恣意張開：寡婦的心更顯孤獨男女的愛更加沒處安放坐擁小國大部分財富的寡婦忽然要搬到巴黎重新尋找生活色彩國王唯恐國祚不保來一招美男計派出風流種子色誘寡婦本來一個用情一個求性幾番邂逅與折騰改寫了男男女女的基本需要歌與舞沒有賣弄甜膩反而放在愛情的沉重中換來了歌頌歌與影無間交流劉別謙輕歌劇巔峰之作亦成了荷里活極有代表性的一章司花利亞與珍娜．麥當奴最後一次合作後者散發從未有過的成熟韻味堪稱最性感的音樂劇 Rated the sexiest musical in the thirties, The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's girls, girls, girls. Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls. Source 28th HKIFF
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